| . "... And Will Increasingly Commission Artists". ARTnews, vol. 119, no. 2 (summer 2020). 2020. | 60 | 2020 | Appears in the editors of ARTnews section of the magazine issue entitled, "Next Big Things" with writing and reporting by Sarah Douglas, Andy Batyaglia, Alex Greenberger, Maximilíano Durón, Claire Selvin, Tessa Solomon, and Angelica Villa. | |
| . "In Conversation: Insurgence Resurgence". My WAG, winter 2017. 2017. | 7 | 2017 | Article about the exhibition Insurgence/Resurgence co-curated by Jaime Isaac and Julie Nagam and held at the Winnipeg Art Gallery, Winnpeg, Manitoba, Canada, September 22, 2017-April 22, 2018. Exhibiting artists include Barry Ace, KC Adams, Joi T. Arcand, Dee Barsy, Scott Benesiinaabandan, Jordan Bennett, Heather Campbell, Bruno Canadien, Hannah Claus, Dana Claxton, Dayna Danger, Earthline Tattoo Collective, Bracken Hanuse Corlett, Tsema Igharas, Ursula Johnson, Casey Koyczan, Kenneth Lavallee, Duane Linklater, Tanya Lukin Linklater, Amy Malbeuf, Kent Monkman, Caroline Monnet, Tiffany Shaw-Collinge, Frank Shebageget, Amanda Strong, Joseph Tisiga, Couzyn van Heuvelen, Isabella Weetaluktuk, and Linus Woods. | |
| . "Indigenous Ingenuity". Galleries West, vol. 13, no. 2 (summer 2014). 2014. | 51 | 2014 | Exhibiting artists include Daphne Odjig, Norval Morrisseau, Carl Beam, David Garneau, Kent Monkman, Joane Cardinal-Schubert, and Terrance Guardipee; exhibition held at the Whyte Museum of the Canadian Rockies, Banff, Alberta, Canada, June 15, 2014-October 19, 2014. Title based on the first sentence of text; information appears in the "Gallery Sources" column of the magazine issue. | |
| . "Shame and Prejudice: on Display at the University of Toronto Art Centre, January 26-March 4, 2017". Indian Time, vol. 35, no. 8 (February 23, 2017). 2017. | page not available | 2017 | Newspaper article. | |
| . "Symbolic Union between Kent Monkman and Jean Pual Gaultier at the Museum". M, the Magazine of the Montreal Museum of Fine Arts, January-April 2018. 2018. | 26 | 2018 | | |
| . Perspectives and Parallels: Expanding Interpretative Foundations with American Indian Curators and Writers. Duluth, Minnesota: Tweed Museum of Art, University of Minnesota Duluth. 2014. | 49 | 2014 | "This catalogue ... included the exhibitions: Mni Sota: Reflections of Time and Place (May 29-August 26, 2012), curated by Dyani Whitehawk Polk; Encoded: Traditional Patterns/A contemporary Response (September 18, 2012-March 18, 2013), curated by John Hitchcock; Blood Memoirs: Exploring Individuality, Memory and Culture through Portraiture (September 13, 2013-March 17, 2014) curated by Amber-Dawn Bear Robe; and a collaborative symposium (March 4, 2014) with UMD Department of American Indian Studies, involving UMD Associate Professor Jill Doerfler, the project curators, and writers Joanna Bigfeather and Associate Professor University of California Santa Cruz Amy Lonetree". | |
| Abatemarco, Michael. "Modern Mashups: Artwork by Kent Monkman". Pasatiempo (Santa Fe, New Mexico), January 15, 2016. 2016. | 24-26 | 2016 | | |
| Anthes, Bill. "Introduction to Painting, Printmaking, and Drawing". In: Passalacqua, Veronica, Kate Morris (editors), and James H. Nottage (compiler). Native Art Now! Developments in Contemporary Native American Art since 1992. Indianapolis, Indiana: Eiteljorg Museum of American Indians and Western Art. 2017. | 17-18, 24 | 2017 | Includes bibliographical references and cites Native artists Harry Fonseca, Edgar Heap of Birds, Oscar Howe, Allan Houser, George Morrison, Kay WalkingStick, Jaune Quick-to-See Smith, Emmi Whitehorse, Kent Monkman, Lawrence Paul Yuxweluptun, Jeffrey Gibson, Wendy Red Star, Melanie Yazzie, America Meredith, Pop Chalee, Jim Denomie, Acee Blue Eagle, David Bradley, George Longfish, James Lavadour, Robert Houle, Fritz Scholder, and T.C. Cannon. Host volume includes comprehensive index. | |
| Baker, Joe and Gerald McMaster. Remix: New Modernities in a Post-Indian World. Phoenix, Arizona: Heard Museum. 2007. | 74-75 | 2007 | Catalog of an exhibition published in conjunction with the exhibition "Remix: New Modernities in a Post-Indian World", on view at the Heard Museum, Phoenix, Arizona, October 6, 2007-April 27, 2008; and at the George Gustav Heye Center, National Museum of the American Indian, New York, New York, May 26, 2008-September 30, 2008. | |
| Bear-Robe, Amber-Dawn. "Blood Memoirs: Exploring Individuality, Memory, and Culture through Portraiture". In: Perspectives and Parallels: Expanding Interpretative Foundations with American Indian Curators and Writers. Duluth, Minnesota: Tweed Museum of Art, University of Minnesota Duluth. 2014. | 26-33 | 2014 | Reproduces the artwork of the following exhibiting artists: Kent Monkman, Luis González Palma, Sue Johnson, Erik Quackenbush, Jamison Chas Banks, Frank Big Bear, Star Wallowing Bull, David P. Bradley, and John M. Feather. | |
| Bédard, Catherine (editor). Kent Monkman: la Belle et la Bête: une Proposition Artistique Inspirée des Collections du Musée des Confluences à Lyon = Kent Monkman: Beauty and the Beasts: an Artistic Proposition Inspired by the Collections of the Musée des Confluences in Lyon. Paris, France: Skira. 2018. | | 2018 | Published on the occasion of the exhibition held at the Centre culturel canadien, Paris, France, May 18, 2018-September 5, 2018. | |
| Biennale d'Art Contemporain Autochtone (3rd : 2016 : Montréal, Québec, Canada). Culture Shift = Une Révolution Culturelle: La Biennale d'Art Contemporain Autochtone = Contemporary Native Art Biennial. Invitation (Art Mûr), vol. 11, no. 5 (April-June 2016). 2016. | 16, 18, 94 | 2016 | Published to accompany an exhibition held at four venues in Montreal, Quebec, Canada, including Art Mûr, Central Pavilion, April 30, 2016-June 18, 2016; Galerie d'art Stewart Hall/Stewart Hall Art Gallery, West Coast Pavilion, April 30, 2016-June 26, 2016; Guilde Canadienne des Metiérs d'Art/Canadian Guild of Crafts, Northern Pavilion, April 29, 2016-June 18, 2016; and Musée McCord/McCord Museum, Montréal, Education Pavilion, February 18, 2016-May 29, 2016. Catalog in English and French. | |
| Bingham, Russell. "Kent Monkman". In: The Canadian Encyclopedia (Online), Historic Canada (host URL: http://www.thecanadianencyclopedia.ca/en/) at source URL: http://www.thecanadianencyclopedia.ca/en/article/kent-monkman/. 2013. | | 2013 | Encylopedia article online originally published April 23, 2013 (viewed June 19, 2016); includes revisions by Daniel Baird dated February 3, 2017. | View |
| Boisjoly, Raymond. "[Exhibition review of] 'Shame and Prejudice: a Story of Resilience': Kent Monkman, the Museum of Anthropology at the University of British Columbia, Vancouver, August 6, 2020-January 3, 2021". C Magazine, issue 148 (winter 2021). 2021. | 61-62 | 2021 | | |
| Buck, Louisa. "Kent Monkman: the Trickster Poking Fun at the Art Historical Canon". Art Newspaper, vol. 31, no. 349 (October 2022). 2022. | 68-69 | 2022 | "The artist's humorous works and parodies of grand paintings also have a serious intent, bringing to light attrocities suffered by Indigenous peoples and reversing the colonial gave". Appears in the "Exhibitions, Artist interview" section of the newspaper issue. | |
| Burkhalter, Laura (curator). Monument Valley. Des Moines, Iowa: Des Moines Art Center. 2019. | 54-57, 81 | 2019 | Catalog of an exhibition organized by the Des Moines Art Center, Des Moines, Iowa, October 5, 2019-January 12, 2020. Participating artists of Native heritage incude Gina Adams, John Jota Leaños, Kent Monkman, Wendy Red Star, and Sarah Sense. | |
| Carver, John. "Santa Fe Summer 2016: the New Indigeneity". Art Ltd., vol. 10, no. 4 (July/August 2016). 2016. | cover, 72-73 | 2016 | "Santa Fe's contemporary arts are experiencing a welcome expansion of identity--In the words of Iroquois leader and thinker John Mohawk, 'it's about re-indigenizing the peoples of the planet to the plant'" | |
| Desmarais, Mary-Dailey, and Thomas Brent Smith (editor). Once Upon a Time... the Western: a New Frontier in Art and Film. Denver, Colorado: Denver Art Museum. 2017. | 234-237, 242 | 2017 | Catalog of an exhibition hosted by Denver Art Museum, May 27, 2017-September 10, 2017; and the Montreal Museum of Fine Arts, October 14, 2017-January 28, 2018. Co-published by Montreal Museum of Art, Montréal, Québec; and Continents Editions, Milan, Italy. | |
| Devine, Bonnie, John Geoghegan, and Sarah Milroy (editors). Early Days: Indigenous Art from the McMichael. Vancouver, British Columbia, Canada: Figure 1 Publishing. 2023. | 2-3, 396, 152, 154-155, 157, 396, 402 | 2023 | Catalogue published on the occasion of the exhibition "Early Days: Indigenous Art from the McMichael" held at the McMichael Canadian Art Collection, Kleinburg, Ontario, November 28, 2020-August 15, 2021; and traveling to the Heard Museum, Phoenix, Arizona, August 31, 2023-January 2, 2024; Albuquerque Museum, Albuquerque, New Mexico, January 2024-April 2024; Chrysler Museum of Art, Norfolk, Virginia, May 2024-September 2024; and the Musée national des beaux-arts du Québec, Quebec City, Quebec, October 2024-May 2025. Includes bibliographical references. Co-published by McMichael Canadian Art Collection, Kleinburg, Ontario, Canada. | |
| Enright, Robert (interviewer) and Kent Monkman (interviewee). "The Incredible Rightness of Mischief: an Interview with Kent Monkman". Border Crossings, vol. 36, no. 3 = issue no. 143 (September, October, November 2017). 2017. | cover, 26-40 | 2017 | | |
| Garneau, David. "Writing about Indigenous Art with Critical Care". C Magazine, issue 145 (spring 2020). 2020. | 29-35 | 2020 | Features discussion of Kent Monkman's 2017 acrylic painting "The Scream" in the Denver Art Museum art collection with a 2-page (reader's spread) color reproduction of the painting. | |
| Geoghegan, John. "Kent Monkman". In: Devine, Bonnie, John Geoghegan, and Sarah Milroy (editors). Early Days: Indigenous Art from the McMichael. Vancouver, British Columbia, Canada: Figure 1 Publishing. 2023. | 152-157 | 2023 | Includes 3 bibliographic notes. Contributed essay in the catalogue of the travelling exhibition "Early Days: Indigenous Art from the McMichael" held at the McMichael Canadian Art Collection, Kleinburg, Ontario, November 28, 2020-August 15, 2021, and 4 other venues. | |
| Greenberger, Alex. "Uneasy Pieces: New York's Museum Shows Reflected a Tense Mood". ARTnews, vol. 119, no. 1 (spring 2020). 2020. | 108-109 | 2020 | Through April 9, 2020, Kent Monkman at the Metropolitan Museum of Art. | At head of title: "Around New York, various venues". | |
| Hill, Greg and Jasmine Inglis. "Kent Monkman". In: Shaughnessy, Jonathan, Nicole Burisch (contributor) and others. 2017 Canadian Biennial = Biennale Canadienne 2017. Ottawa, Ontario, Canada: National Gallery of Canada. 2017. | 188-191 | 2017 | Text in English and French. | |
| Hopkins, Candice. "Kent Monkman, B. 1965 in St. Mary's, Ontario, Canada; Lives in Toronto". In: Dees, Janet, Irene Hofmann, Candice Hopkins, and Lucia Sanromán (curators). Unsettled Landscapes. Santa Fe, New Mexico: SITE Santa Fe. 2014. | 164-165+ | 2014 | Essay from the catalog which accompanies the group exhibition "Unsettled Landscapes," SITE Santa Fe, Santa Fe, New Mexico, July 20, 2014-January 11, 2015. | |
| Isaac, Jaimie and Julie Nagam (curators). Insurgence, Resurgence: Winnipeg Art Gallery, September 23, 2017 - April 22, 2018. Winnipeg, Manitoba, Canada: Winnipeg Art Gallery. 2017. | 16, 116-119, 161, 167 | 2017 | Features Kent Monkman's 2014 acrylic painting "Death of the Female". | Catalog of an exhibition. Exhibiting artists include Barry Ace, KC Adams, Joi T. Arcand, Dee Barsy, Scott Benesiinaabandan, Jordan Bennett + Dee Barsy, Heather Campbell, Bruno Canadien, Hannah Claus, Dana Claxton, Dayna Danger, Earthline Tattoo Collective [Dion Kaszas, Amy Malbeuf, Jordan Bennett], Bracken Hanuse Corlett, Ts̲ēma Igharas, Ursula Johnson, Casey Koyczan, Kenneth Lavallee, Duane Linklater, Tanya Lukin Linklater, Amy Malbeuf, Kent Monkman, Caroline Monnet, Tiffany Shaw-Collinge, Frank Shebageget, Amanda Strong, Joseph Tisiga, Couzyn van Heuvelen, Asinnajaq (Isabella Weetaluktuk), and Linus Woods. | |
| Jacob, Luis (curator). Form Follows Fiction: Art and Artists in Toronto. Toronto, Ontario, Canada: Art Museum at the University of Toronto. 2020. | 158, 235 | 2020 | Catalog of an exhibition held in two parts at the Justina M. Barnicke Gallery, Art Museum at the University of Toronto, Toronto, Ontario, Canada, September 6, 2016-November 6, 2016; and the University of Toronto Art Centre, Toronto, Ontario, Canada, September 6, 2016-December 10, 2016. Exhibiting First Nations artists include Bonnie Devine, Rita Letendre, Duane Linklater, Shelley Niro, Carl Beam, Kent Monkman, Keesic Douglas, Robert Houle, Arthur Renwick, and Jeff Thomas. Includes artist bios and bibliographical references. Co-published by Black Dog Press, London, England. | |
| Justice, Daniel Heath, Bethany Schneider, and Mark Rifkin. "Heaven and Earth". GLQ, a Journal of Lesbian and Gay Studies, vol. 16, no. 1-2 (2010). 2010. | 1-3 | 2010 | Includes reproduction and discussion of Kent Monkman's painting "Heaven and Earth". | Host journal issue has thematic title, "Sexuality, Nationality, Indigeneity"; and edited by Daniel Heath Justice, Mark Rifkin, and Bethany Schneider. | |
| Justice, Daniel Heath, Mark Rifkin, and Bethany Schneider (editors). Sexuality, Nationality, Indigeneity. GLQ, a Journal of Lesbian and Gay Studies, vol. 16, no. 1-2 (2010). Durham, North Carolina: Duke University Press. 2010. | cover, 1-3 | 2010 | Kent Monkman's 2008 painting reproduced on cover has title "Forest with Trees"; painting reproduced on page 2 has title, "Heaven and Earth". | Includes journal articles, book reviews, and bibliographical references. | |
| Kenney, Nancy. "A Year of Racial Reckoning for US Museums: in Response to the Black Lives Matter Movement, Museums Throughout the US Vowed to Foster Diversity--but Who Is Making Real Progress?". Art Newspaper, vol. 30, no. 335 (June 2021). 2021. | 27 | 2021 | Newspaper article; cites Kent Monkman and Jaune Quick-to-See Smith. | |
| King, Thomas and William Kent Monkman (illustrator). A Coyote Columbus Story. Toronto, Ontario, Canada: Groundwood Books, House of Anansi Press. 2007. | | 2007 | Juvenile fiction copyrighted in 1992. | |
| Koyczan, Shane L. Inconvenient Skin = Nayêhtâwan Wasakay. Penticton, British Columbia, Canada: Theytus Books. 2019. | | 2019 | Includes a biography on Kent Monkman. | Illustrations by Kent Monkman, Josef M. Sánchez, Jim Logan, and Nadya Kwandibens; Cree translation by Solomon Ratt. | |
| Krol, Debra Utacia. "RE:DEFINE Reconsidering Native Art: This Spring the Heard Museum Will Open an Exhibition of Contemporary Native American Art". Native American Art, issue 19 (February/March 2019). 2019. | 80-83 | 2019 | Freatured artists include Susan Folwell, Kent Monkman, Lewis deSoto, Jaune Quick-to-See Smith, Les Namingha, Pat Pruitt, Caroline "Coco" Monnet, and Meryl McMaster. | |
| Kusserow, Karl and Alan C. Braddock. Nature's nation: American Art and Environment. Princeton, New Jersey: Princeton University Art Museum. 2018. | 259-261 | 2018 | Published on the occasion of the exhibition "Nature's Nation: American Art and Environment" held Princeton University Art Museum, Princeton, New Jersey, October 13, 2018-January 6, 2019; Peabody Essex Museum, Salem, Massachusetts, February 2, 2019-May 5, 2019; and Crystal Bridges Museum of American Art, Bentonville, Arkansas, May 25, 2019-September 9, 2019. Includes bibliographical references and index. | |
| McMaster, Gerald. "Kent Monkman". In: Devine, Bonnie, John Geoghegan, and Sarah Milroy (editors). Early Days: Indigenous Art from the McMichael. Vancouver, British Columbia, Canada: Figure 1 Publishing. 2023. | 158-163 | 2023 | Contributed essay in the catalogue of the travelling exhibition "Early Days: Indigenous Art from the McMichael" held at the McMichael Canadian Art Collection, Kleinburg, Ontario, November 28, 2020-August 15, 2021, and 4 other venues. | |
| Monkman, Kent. "Altering Sight: Ideas in Motion". In: Lukavic, John P. and Laura Caruso (editors). Art in Motion: Native American Explorations of Time, Place, and Thought. Denver, Colorado: Denver Art Museum. 2016. | 14-37 | 2016 | Includes bibliographical references. | |
| Monkman, Kent. Kent Monkman. URL: http://www.kentmonkman.com/. 2016. | | 2016 | Artist's website (viewed June 19, 2016) | View |
| Monkman, Kent. Kent Monkman: Shame & Prejudice: a Story of Resilience = Kent Monkman: Honte et Préjugés: une Histoire de Résilience. Toronto, Ontario, Canada: Art Museum, University of Toronto. 2020. | | 2020 | Published in conjunction with the exhibition "Shame and Prejudice: a Story of Resilience by Kent Monkman", at the Art Museum at the University of Toronto, Toronto, Ontario, Canada, January 26, 2017-March 5, 2017. | |
| Monkman, Kent. Kent Monkman: the Rise and Fall of Civilization. Toronto, Ontario, Canada: Gardiner Museum. 2015. | | 2015 | Catalog of an exhibition held at the Gardiner Museum, Toronto from October 15, 2015 to January 10, 2016. | |
| Monkman, Kent. Revision and Resistance: Mistikôsiwak (Wooden Boat People) at the Metropolitan Museum of Art. Toronto, Ontario, Canada: Art Canada Institute. 2020. | | 2020 | Catalog marks the exhibition mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art, New York, New York, December 19, 2019 -April 9, 2020. | |
| Monkman, Kent (artist) and Gisèle Gordon. Being Legendary at Royal Ontario Museum: Confronting Colonialism, Rethinking History. Toronto, Ontario, Canada: Art Canada Institute. 2022. | | 2022 | Catalog of the exhibition "Kent Monkman: Being Legendary at Royal Ontario Museum" held at Royal Ontario Museum, Toronto, Ontario, Canada, October 8, 2022-March 19, 2023. | |
| Monkman, Kent, Steve Loft, Barry Ace, and Mike Hoolboom. Dance to the Berdashe. Winnipeg, Manitoba, Canada: Urban Shaman Gallery. 2009. | | 2009 | | |
| Nanibush, Wanda, Karen Kramer, Ben Garcia, Tricia Laughlin Bloom, Lara M. Evans, and Kent Monkman (illustrator). "Shared Authority" Art in America Asks Five Specialists to Discuss Practices and Policies for Decolonizing Museums". Art in America, vol. 105, no. 9 (October 2017). 2017. | 76-81 | 2017 | | |
| Nilsen, Richard. "Art First, Ethnicity Second". Arizona Republic, September 30, 2007. 2007. | E1,E8 | 2007 | Newspaper article; appears in the Sunday paper. | |
| Pardue, Diana and Erin Joyce (curators), with Tobi Lopez Taylor and Deborah Paddison (editors). Larger Than Memory: Contemporary Art from Indigenous North America. Phoenix, Arizona: Heard Museum. 2020. | 66, 71, 129, 136 | 2020 | Catalog of the exhibition "Larger Than Memory: Contemporary Art from Indigenous North America", organized by the Heard Museum, Phoenix, Arizona, and held September 4, 2020-January 2021. Includes artist biographies and bibliographical references. | |
| Pardue, Diana F. "Shared Ideologies". In: Marshall, Ann E. and Diana F. Pardue (editors). Of God and Mortal Men: T.C. Cannon. Santa Fe, New Mexico: Museum of New Mexico Press in association with the Heard Museum, Phoenix, Arizona. 2017. | 104-107, 111 | 2017 | | |
| Paterson, Elaine Cheasley and Susan Surette (editors). Sloppy craft: Postdisciplinarity and the Crafts. London, England: Bloomsbury Visual Arts. 2019. | 15-16, 77, 125-132, 138; plates 16-18 | 2019 | Includes bibliographical references and index. | |
| Porterfield, Todd. "A Care in the World: Todd Porterfield on Kent Monkman at the Met". Artforum, vol. 58, no. 7 (March 2020). 2020. | 85-86 | 2020 | Discusses Kent Monkman's "mistikôsiwak (Wooden Boat People)", 2019, at the Metropolitan Museum of Art, New York, New York. | |
| Potter, Naomi and Shauna Thompson (editors). Wonder and Resonance: Fiction/Non-Fiction : Raymond Boisjoly, Wally Dion, Brenda Draney, Dean Drever, Jeff Funnell, Jeffrey Gibson, Alex Janvier, Jonathan Jones, Glenn Ligon, Duane Linklater, Kent Monkman, Jude Norris, Krista Belle Stewart. Calgary, Alberta, Canada: Esker Foundation. 2015. | | 2015 | | |
| Rymhs, Deena. Roads, Mobility, and Violence in Indigenous Literature and Art from North America. New York, New York: Routledge. 2020. | 105-117 | 2020 | Includes bibliographical references and index. Draws upon the work of Marie Clements, Tomson Highway, Marilyn Dumont, Leanne Simpson, Richard Van Camp, Kent Monkman, and Louise Erdrich. Reprint, originally published and copyrighted 2019. | |
| Scudeler, June. "'Indians on Top': Kent Monkman's Sovereign Erotics". American Indian Culture and Research Journal, vol. 39, no. 4 (2015). 2015. | 19-32 | 2015 | | |
| Seiller, Monika. "Kent Monkman, 'Being Legendary': Außergewöhnliche Ausstellung im Royal Ontario Museum". Coyote (Aktionsgruppe Indianer & Menschenrechte), nr. 133/134 (September 2023). 2023. | 57-60 | 2023 | Appears in the "Ausstellung" section of the magazine issue. | |
| Shaughnessy, Jonathan, Nicole Burisch (contributor) and others. Canadian Biennial = Biennale Canadienne 2017. Ottawa, Ontario, Canada: National Gallery of Canada. 2017. | 310 | 2017 | Mixed-media artwork by Kent Monkman is included in the "List of Acquisitions 2014-2017" | Published in conjunction with the exhibitions 2017 Canadian Biennial, organized by the National Gallery of Canada, Ottawa, and Turbulent Landings: The NGC 2017 Canadian Biennial, organized by the National Gallery of Canada and the Art Gallery of Alberta, Edmonton, as part of the NGC@AGA exhibition series. National Gallery of Canada, 19 October 2017-18 March 2018; Art Gallery of Alberta, 30 September 2017-7 January 2018. Text in English and French. | |
| Southall, Neebinnaukzhik. "[Review of exhibition] 'Shame and Prejudice: a Story of Resilience', Art Museum at the University of Toronto, Toronto". First American Art Magazine, issue no. 15 (summer 2017). 2017. | 78-80 | 2017 | Appears in the "Reviews" column of the magazine issue. Kent Monkman's one person exhibition held at the Art Museum at the University of Toronto, Toronto, Canada, January 26, 2017-March 4, 2017. | |
| Thériault, Michèle (editor). Interpellations: Three Essays on Kent Monkman = Interpellations: Trois Essais sur Kent Monkman. Montreal, Quebec, Canada: Galerie Leonard & Bina Ellen Art Gallery, Concordia Unversity. 2015. | | 2015 | Includes essays by Richard W. Hill, Jonathan D. Katz, and Todd Porterfield. Text in English and French; copyrighted 2012. | |
| Vezolles, Christy A. "Shapeshifting: Exhibit Explores Transformation in the Art of Native American Cultures". Western Art Collector, no. 54 (February 2012). 2012. | 48-51 | 2012 | Features artists Kevin Pourier, Arroh-a-och, Kent Monkman, Brian Jungen, Hosteen Klah, and Fritz Scholder. | |
| Whitehead, Joshua. Full-Metal Indigiqueer: Poems. Vancouver, British Columbia, Canada: Talonbooks. 2017. | cover | 2017 | Two-spirit/Indigiqueer poetry. Kent Monkman's 2014 acrylic painting "The Chase" is reproduced in color on the cover. | |
| Whitehead, Joshua (editor). Love after the End: an Anthology of Two-spirit & Indigiqueer Speculative Fiction. Vancouver, British Columbia, Canada: Arsenal Pulp Press. 2020. | cover | 2020 | Cover art by Kent Monkman, "Teaching the Lost", 2012, acrylic on canvas, 24" x 30". | Includes fiction by Nathan Adler, Adam Garnet Jones, jaye simpson, Kai Minosh Pyle, Gabriel Castilloux Calderon, Darcie Little Badger, Mari Kurisato, Nazbah Tom, and David A. Robertson. | |
| Wikipedia contributors. "Kent Monkman". In: Wikipedia: the Free Encyclopedia (host URL: https://en.wikipedia.org/) and source URL: https://en.wikipedia.org/wiki/Kent_Monkman. 2016. | | 2016 | Current entry for Kent Monkman on Wikipedia (viewed May 25, 2018) | View |
| Wolin, Joseph R. "Futuring the Past: Kent Monkman Reconnects the Met". Border Crossings, vol. 39, no. 1 (March, April, May 2020) = issue no. 153 (March, April, May 2020). 2020. | 64-68 | 2020 | Analysis of Kent Monkman's 2019 paintings 'mistikôsiwak (Wooden Boat People)' in the Great Hall, Metropolitan Museum of Art, New York. | |
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