| . "A Look Ahead". Gilcrease Magazine, vol. 28, no. 1 (winter 2020). 2019. | 20 | 2019 | Includes "Weaving History into Art: the Enduring Legacy of Shan Goshorn" held June 25, 2020-January 31, 2021, Gilcrease Museum, Tulsa, Oklahoma. | Appears in the "Exhibition Schedule" column of the magazine issue. | |
| . "Artists Selected for Feldman Grants". Tulsa World, June 22, 1994. 1994. | | 1994 | Newspaper article | |
| . "Hand-Tinted Photography Making a Comeback, Says Artist". Thursday, August 13, 1987. Hamilton, Ontario: Six-Nations Reservation (Tekawennake). 1987. | | 1987 | Newspaper article | |
| . "Honoring the Sacred Wheel: the Art of Shan Goshorn". January, 1988. Tulsa: Uptown News. 1988. | | 1988 | Newspaper article | |
| . "Metro Bus Show". Center for Exploratory and Perceptual Art, fall/winter 1993. 1993. | 16 | 1993 | Appears in the "Public Transit Art" column of issue. Article about CEPA Gallery's special Metro Bus Show for the World University Games International Cultural Festival, Buffalo, New York, July 8-18, 1993, with photo-related works centered around the concept of "Keepers of the Western Door". Participating artists include Patricia Deadman, Eric Gansworth, George Longfish, Jolene Rickard, Alan Jamieson, Jesse Cooday, Hulleah Tsinhnahjinnie, and Shan Goshorn. | |
| . "Oklahoma Indian Markings". NIMROD, vol. 32, no. 2 (spirng/summer 1989). 1989. | 19 | 1989 | | |
| . "Shan Goshorn". vol. 29, no. 1 (fall 1993). Native American Photography. 1993. | 24-25 | 1993 | | |
| . "Spotlight on New Member: Shan Goshorn". Native Arts Journal, vol. 13, no. 4 (winter 1999-2000). 1999. | 1, 19 | 1999 | Native Arts Journal published by Atlatl, Inc., National Service Organization for Native American Arts, Phoenix, Arizona. | |
| . "Weaving History into Art: the Legacy of Cherokee Artist Shan Goshorn Is Honored During an Exhibition at the Gilcrease Museum". Native American Art, no. 30 (December 2020/January 2021). 2020. | 104-105 | 2020 | Appears in the "Museum Preview" section of the magazine issue; features Shan Goshorn's one person show through March 28, 2021 at the Gilcrease Museum, Tulsa, Oklahoma. | |
| . "Wedding Creative Worlds, Mending Cultural Ways". Bear Tracks (First Nations Arts), vol. 1, no. 4 (spring 1994). 1994. | 1, 11 | 1994 | Newsletter article. | |
| Abbott, Larry (editor). I Stand in the Center of Good: Interviews with Contemporary Native American Artists. Lincoln, Nebraska: University of Nebraska Press. 1994. | 11 | 1994 | Includes artists Rick Glazer-Danay, Shan Goshorn, Hachivi Edgar Heap of Birds, Rick Hill, G. Peter Jemison, Michael Kabotie, Frank LaPena, Carm Little Turtle, Linda Lomahaftewa, George Longfish, Mario Martinez, Nora Naranjo-Morse, Jaune Quick-to-See Smith, Susan Stewart, Frank Tuttle, Kay WalkingStick, and Emmi Whitehorse | |
| Ahtone, Hearther (curator) and Kathy McRuiz (project director). Intertwined: Stories of splintered pasts: Shan Goshorn & Sarah Sense.. Tulsa, Oklahoma: Arts & Humanities Council of Tulsa, Hardesty Arts Center. 2015. | | 2015 | Catalog of an exhibition at the Hardesty Arts Center, home of the Arts & Humanities Council of Tulsa, Tulsa, Oklahoma, held May 1-July 5, 2015. | |
| ahtone, heather. "[Exhibition review] 'Resisting the Mission', Trout Gallery, Dickinson College, Carlisle, Pennsylvania". First American Art Magazine, no. 21 (winter 2018/2019). 2018. | 73-75 | 2018 | | |
| Ahtone, Heather. "Shan Goshorn's Singing Baskets". Dreamcatcher, July 2013. 2013. | 15-17 | 2013 | | |
| ahtone, heather. "Weaving Words: Myths, Misinformation, and Memories". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 52-53 | 2020 | | |
| Ahtone, Heather (curator) and Jo Ann Reece (editor). From the Belly of Our Being: Art by and about Native Creation. Stillwater, Oklahoma: Oklahoma State University Museum of Art. 2016. | 28-31 | 2016 | Catalog of an exhibition curated by heather ahtone and held at the Oklahoma State University Museum of Art, Stillwater, Oklahoma, September 27, 2016-January 28, 2017. | |
| Beete, Paulette, and Shan Goshorn. "Art Talk with Visual Artist Shan Goshorn". In: National Endowment for the Arts, Art Works Blog website (host URL: https://www.arts.gov/art-works/) at source URL: https://www.arts.gov/art-works/2015/art-talk-visual-artist-shan-goshorn. 2015. | | 2015 | Internet resource (viewed July 19, 2016). Interview with Shan Goshorn posted November 18, 2015. | View |
| Child, Brenda J. "Weaving Words: Baskets of Truth". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 50-51 | 2020 | | |
| Clark, Todd (curator). Woven: the Art of Contemporary Native Basketry, March 1-April 23, 2016, Archer Gallery. Vancouver, Washington: I.M.N.D.N., Native Art for the 21st Century. 2016. | 17 | 2016 | Catalog of an exhibition curated by Todd J. Clark and organized by the organization, I.M.N.D.N.; held at the Archer Gallery, Clark College, Washington, Vancouver, March 1, 2016 - April 23, 2016. Exhibiting artists include Bernice Akamine, Brittany Britton, Kelly Church, Pat Courtney Gold, Carol Emarthle-Douglas, Ka'ila Farrell-Smith, Joe Feddersen, Shan Goshorn, Joey Lavadour, Dawn Nichols Walden, Sara Siestreem, Lisa Telford, and Gail Tremblay. | |
| Colleary, Elizabeth Thompson (guest curator). Legacies: Contemporary Art by Native American Women. New Rochelle, New York: Castle Gallery, College of New Rochelle. 1995. | 10-11 | 1995 | Catalog of an exhibition at Castle Gallery, College of New Rochelle, New York, September 3-October 29, 1995, with the following exhibiting artists: Joanna Osburn-Bigfeather, Cherokee/Apache; Susan Black, Penobscot; Laura Fragua, Jemez Pueblo; Shan Goshorn, Cherokee; Melanie Printup Hope, Tuscarora; Jean Lamarr, Paiute/Pit River; Linda Lomahaftewa, Hopi/Choctaw; Kathryn Stewart, Crow/Blackfeet; Susan Stewart, Crow/Blackfeet; Charlene Teters, Spokane; Sally Thielen, Chippewa; Kay Walkingstick, Cherokee. | |
| Cournoyer, Gerald and Shan Goshorn. "Urban 5: the Art of Healing". American Indian Horizons, spring 2009. 2009. | 33 | 2009 | Newsletter article. | |
| Cullinan, Helen. "Artist Speaks for Her People in Word and Deed". Plain Dealer, December 13, 1992. 1992. | 3-H | 1992 | Newspaper article | |
| Dowell, JoKay. "Eastern Band Cherokee Interdisciplinary Artist Shan Goshorn Interview". First American Art Magazine, issue no. 1 (fall 2013). 2013. | 22-27 | 2013 | | |
| Dudley, Kris. "Cultural Messages Not Always Popular". Tulsa World, June 21, 1995. 1995. | | 1995 | Newspaper article | |
| Earenfight, Phillip. "Shan Goshorn's 'Resisting the Mission' and the Origins of Before-and-After Photographs at the Carlisle Indian School". In: Earenfight, Phillip (editor). Shan Goshorn: Resisting the Mission. Carlisle, Pennsylvania: Trout Gallery, Art Museum of Dickinson College. 2018. | 54-65 | 2018 | Host volume is a catalog of an exhibition presented at the Trout Gallery, Dickinson College, Carlisle, Pennsylvania, September 7, 2018-February 2, 2019. | |
| Earenfight, Phillip (editor). Shan Goshorn: Resisting the Mission. Carlisle, Pennsylvania: Trout Gallery, Art Museum of Dickinson College. 2018. | | 2018 | Catalog of an exhibition presented at the Trout Gallery, Dickinson College, Carlisle, Pennsylvania, September 7, 2018-February 2, 2019. Includes essays by Jacqueline Fear-Segal, Suzan Shown Harjo, Barbara Landis, Gina Rappaport, Heather Shannon, and W. Richard West Jr. | |
| Emarthle-Douglas, Carol. "My Friend Shan". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 102-107 | 2020 | Part of "The Enduring Legacy" section of the catalog. | |
| Fauntleroy, Gussie. "Innovation and Tradition: Cherokee Artist Shan Goshorn (1957-2018) Created Baskets and Artwork That Advocate for Human Rights". Western Art & Architecture, vol. 14, no. 6 (December 2020/January 2021). 2020. | 78-82 | 2020 | Includes color portrait photograph of Shan Goshorn and examples of her artwork. | |
| Fields, Anita. "XOXOXO". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 108-113 | 2020 | Part of "The Enduring Legacy" section of the catalog. | |
| Fiorucci, Nina. Carlisle Indian Boarding School Portraits: from the Nineteenth Century to Contemporary Art. Ann Arbor, Michigan: ProQuest. 2019. | | 2019 | Nina Fiorucci's Master of Arts thesis (major: art history), Wayne State University, Detroit, Michigan, 2019. Print reproduction by ProQuest LLC, Ann Arbor, Michigan, October 2019. Includes bibliographical references; Native artists noted are Marcus Amerman and Shan Goshorn. | |
| Goshorn, Shan. "[Advertisement for] Shan Goshorn, www.shangoshorn.com, 'Resisting the Mission' Solo Exhibition". First American Art Magazine, issue no. 20 (fall 2018). 2018. | 1 | 2018 | Includes color photograph of Shan Goshorn's 2015 basket "Prayers for Our Children". | |
| Goshorn, Shan. Shan Goshorn. URL: http://www.shangoshorn.net/. 2016. | | 2016 | Shan Goshorn's website (viewed July 19, 2016) | View |
| Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | | 2020 | Catalog of an exhibition held at the Thomas Gilcrease Institute of American History and Art, Tulsa, Oklahoma, January 15, 2021-March 28, 2021. | |
| Green, Christopher. "Beyond Inclusion: Several Museums Are Now Displaying Indigenous Artifacts in Galleries of American Art, but This Gesture Doesn't Always Honor the Values of the Cultures that Created These Works". Art in America, vol. 107, no. 2 (February 2019). 2019. | 49, 74 | 2019 | Page 49 includes full-page color reproduction of Shan Goshorn's 2012 baskets "Removal (Ancestral Homeland and Indian Territory)". | Includes bibliographical references. | |
| Green, Rayna. Women in American Indian Society. New York, New York: Chelsea House Publishers. 1992. | 57, 64 | 1992 | Includes bibliographical references and index. | |
| Harjo, Joy. "First Morning". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 128 | 2020 | Poem for Shan Goshorn, December 3, 2018 which appears in the "Closing Thoughts" section of catalog. | |
| Harjo, Suzan Shown. "Shan Goshorn, July 3, 1957-December 1, 2018". First American Art Magazine, issue no. 22 (spring 2019). 2019. | 100-101 | 2019 | Appears in the "Memorial" section of magazine issue. | |
| Harjo, Suzan Shown. "Weaving History, Lives, Justice, and Beauty into Art with Something to Say". In: Earenfight, Phillip (editor). Shan Goshorn: Resisting the Mission. Carlisle, Pennsylvania: Trout Gallery, Art Museum of Dickinson College. 2018. | 16-33 | 2018 | Host volume is a catalog of an exhibition presented at the Trout Gallery, Dickinson College, Carlisle, Pennsylvania, September 7, 2018-February 2, 2019. | |
| Harjo, Suzan Shown. "Weaving Words: Beloved Woman". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 44-46 | 2020 | | |
| Harjo, Suzan Shown (curator) and Liz Flyntz (assistant). American Icons through Indigenous Eyes: a Curatorial Project. Washington, D.C.: District of Columbia Arts Center. 2007. | catalog not paginated | 2007 | Catalog of an exhibition held at the District of Columbia Arts Center, Washington, D.C., April 13, 2007-May 6, 2007. Exhibiting artists include Marcus Amerman, David Bradley, Bunky Echo-Hawk, Shan Goshorn, Bob Haozous, Jean LaMarr, Judith Lowry, America Meredith, Juanita Pahdopony, Diego Romero, Mateo Romero, and Richard Ray Whitman. | |
| Heap of Birds, Edgar (editor). Makers. Norman, Oklahoma: Cottonwood Arts Foundation. 1988. | 5-9 | 1988 | In series, Renegade; numbered 17/18. Includes artists Shan Goshorn, Edgar Heap of Birds, Joe Dale Tate Nevaquaya, Patricia Mousetrail Russell, and Richard Ray (Whitman). | |
| Herrera, Allison, Fire Thief Studios, and Shan Goshorn. "Cherokee Mixed Media Artist Shan Goshorn". In: Vimeo (https://vimeo.com/). URL: https://vimeo.com/153974233. 2016. | | 2016 | Shan Goshorn on Vimeo (viewed July 19, 2016). "Cherokee artist Shan Goshorn doesn’t head out into the woods gathering white oak or other natural materials for her work like traditional basketmakers would. Instead, archives of museums like the Gilcrease or the National Museum of the American Indian are her source materials. Using treaties, documents containing the Cherokee language and recent legislation affecting Native Americans, Goshorn weaves baskets that she hopes shows people the relevance of some of those documents." | View |
| Hylton, Susan. "Expressions of Beauty: Artist Reflects Essence of Surroundings in Works". Tulsa World, September 23, 1998. 1998. | 1-2 | 1998 | Newspaper article | |
| Inglis, Grace. "Going Native: Cherokee Artist Gets in Touch with Spiritual Self". Saturday, August 15, 1987. Toronto, Ontario: The Spectator. 1987. | | 1987 | Newspaper article | |
| Jones, Diana Nelson. "The Personal Touch: Artist Goshorn Adds Color to Photos". Tulsa Tribune, Monday, October 5, 1987. 1987. | 6-A | 1987 | Newspaper article | |
| Karper, Kelsey (editor). "From the Editor: Reclaiming Our Power". Art Focus Oklahoma, vol. 30, no. 1 (January/February 2015). 2015. | cover, 2 | 2015 | | |
| Lester, Patrick D. ~The Biographical Directory of Native American Painters. Tulsa, Oklahoma: SIR Publications. 1995. | 206 | 1995 | Includes tribal index and bibliographical references. | |
| McCleary, Katherine Nova, Leah Tamar Shrestinian, and Joseph Zordan. Place, Nations, Generations, Beings: 200 Years of Indigenous North American Art. New Haven, Connecticut: Yale University Art Gallery. 2019. | 60 | 2019 | Catalog of a student-curated exhibition entitled "Place, Nations, Generations, Beings: 200 Years of Indigenous North American Art" of objects drawn from Yale University collections for exhibit at the Yale University Art Gallery, New Haven, Connecticut, November 1, 2019-June 21, 2020. | |
| Nagle, Mary Kathryn. "Weaving Words: Shan's Gift to Us All". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 47-49 | 2020 | | |
| Nelms, Jeff. "Cushing Attorney Uses Art to Convey Message". Tulsa World, September 22, 1993. 1993. | 4 | 1993 | Newspaper article | |
| Nelms, Jeff. "Native Views: American Indian Artist Uses Canvas to Heighten Awareness". Tulsa World, Wednesday, September 22, 1993. 1993. | 4 | 1993 | Newspaper article | |
| O'Hern, John and Francis Smith (photographer). "Friendly Connections: North Carolina Collectors Have Forged Friendships and Long-Lasting Relationships with Artists They Admire". Native American Art, issue 19 (February/March 2019). 2019. | 104, 110-111 | 2019 | Featured artists in text include Emma Squirrel Taylor, Kathleen Wall, Joshua Adams, Joe Cajero, Shan Goshorn, Eva Wolfe, and Jane Osti. | |
| Perrone, Bobette, H. Henrietta Stockel, and Victoria Krueger. Medicine Women, Curanderas, and Women Doctors. Norman, Okla.: University of Oklahoma Press. 1989. | | 1989 | | |
| Rossi, Alison. "Savages and Princesses: the Persistence of Native American Stereotypes". Art Focus Oklahoma, vol. 31, no. 4 (July/August 2016). 2016. | 8-9 | 2016 | Review of the group exhibition "Savages and Princesses" curated by America Meredith at the 108 | Contemporary, Tulsa, Oklahoma, with featured artists Marcus Amerman, Matthew Bearden, Heidi BigKnife, Mel Cornshucker, Tom Farris, Anita Fields, Kenny Glass, Shan Goshorn, April Holder, Benjamin Harjo, Jr., Juanita Pahdopony, Kira Hayen Poole, Zachary Presley, Karin Walkingstick, Hoka Skenandore, and Micah Wesley. | |
| Rutherford, Lisa. "Shan Goshorn and Me". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 114-119 | 2020 | Part of "The Enduring Legacy" section of the catalog. | |
| Sanders, Nina (curator). Catch 22: Paradox on Paper: from the Edward J. Guarino Collection. Santa Fe, New Mexico: Ralph T. Coe Foundation for the Arts. 2017. | 9 | 2017 | Catalog for the exhibition "Catch 22: Paradox on Paper" organized by the Ralph T. Coe Foundation for the Arts, Santa Fe, New Mexico, and held August 12, 2017-March 31, 2018. | |
| Santa Fe Indian Market Gala (2015 : Santa Fe, New Mexico). Gala Santa Fe Indian Market, Saturday, August 22, La Fonda on the Plaza. Santa Fe, New Mexico: Southwestern Association for Indian Arts. 2015. | 14 | 2015 | Catalog of a benefit art auction organized by the Southwestern Association for Indian Arts, and held on August 22, 2015 at La Fonda on the Plaza, Santa Fe, New Mexico, in conjunction with the 2015 Santa Fe Indian Market. | |
| Spaar, Ilona Shulman, and Heidrun Löb. Zeitgenössische Indigene Kunst. Zurich, Switzerland: Stadt Zürich, Nordamerika Native Museum, Indianer & Inuit Kulturen. 2014. | 28-37 | 2014 | Cover title of exhibition catalog: Native Art Now. Exhibition held at the Nordamerika Native Museum, Zurich, Switzerland, November 8, 2014- June 7, 2015. Exhibiting artists include Nicholas Galanin, Shan Goshorn, Jeff Kahm, Cannupa Hanska Luger, Sonya Kelliher-Combs, Gina Adams, Ross Chaney, Michael Belmore, Frank Shebageget, Diego Romero, David Bradley, Chris Pappan, Will Wilson, Maria Hupfield, Jason Garcia, and Wally Dion. | |
| Starr, Jean. Tales from The Cherokee Hills. Winston-Salem, N.C.: John F. Blair. 1988. | cover | 1988 | | |
| Stealey, Josephine and Kristin Schwain. "Envision, Collaborate & Create: the Founding of an Exhibition". National Basketry Organization Quarterly Review, winter 2016. 2016. | 4-7 | 2016 | | |
| Tamashiro, Sarah. "La Biennale di Venezia, Venice". First American Art Magazine, issue no. 16 (fall 2017). 2017. | 79 | 2017 | Review of the Venice Biennale along with associated independent shows in Venice, Italy. Indigenous artists discussed include Kananginak Pootoogook, Nicholas Galanin, Keli Mashburn, Marcella Ernest, and Shan Goshorn. | |
| Teters, Charlene. "Photographer and Painter Shan Goshorn". Indian Artist, vol. 3, spring 1997. 1997. | 71-73 | 1997 | | |
| Trautmann, Rebecca Head. "Filling the Silence: Baskets Preserve Shan Goshorn's Unique Talents and Depict Lasting Impacts of Indian Boarding Schools". National Museum of the American Indian, vol. 20, no. 4 (winter 2019). 2019. | 26-31 | 2019 | Includes color reproductions of her work and a portrait photograph of Shan Goshorn weaving a basket. | |
| Trout Gallery. "[Advertisement for] Shan Goshorn, 1957-2018, the Trout Gallery, the Art Museum of Dickinson College". Art in America, vol. 107, no. 2 (February 2019). 2019. | 18 | 2019 | | |
| Tulsaworld and Shan Goshorn. "Native American Artist Shan Goshorn Creates Baskets". In: YouTube (host URL: https://www.youtube.com/) at source URL: https://www.youtube.com/watch?v=tfP_91W8ngM. 2013. | | 2013 | Shan Goshorn on YouTube (viewed July 19, 2016). "Native American artist Shan Goshorn creates baskets using a rare double-weave technique, her work is in the Smithsonian and she recently won a fellowship with the Eiteljorg Museum in Indiana
Cherokee artist weaves messages into baskets." Published on February 7, 2013; duration 1:30 minutes. | View |
| Walker, Danna Sue. "Mayfest 2000 Poster Unveiled". Tulsa World, April 19, 2000. 2000. | D-8 | 2000 | Newspaper article | |
| Watts, James D., Jr. "It's about Time: Shan Goshorn's Mayfest Poster Painting Creates Its Own Spin Cycle". Tulsa World, April 16, 2000. 2000. | H-1, H-5 | 2000 | Newspaper article | |
| Wiggers, Namita Gupta (juror). 2016VisionMakers, October 7-November 20, 2016. Tulsa, Oklahoma: 108 Contemporary. 2016. | 32-33 | 2016 | Catalog of an exhibition held at 108 Contemporary, Tulsa, Oklahoma, October 7, 2016-November 20, 2016; juror: Namita Gupta Wiggers. | |
| Wikipedia contributors. "Shan Goshorn". In: Wikipedia, the Free Encyclopedia (host URL: https://en.wikipedia.org/) at source URL: https://en.wikipedia.org/wiki/Shan_Goshorn. 2015 . | | 2015 | Current entry on Shan Goshorn in Wikipedia (viewed November 17, 2018) | View |
| Wilson, Holly. "Passing the Shan Test". In: Goshorn, Shan (artist) and Mark Dolph (curator, editor). Weaving History into Art: the Enduring Legacy of Shan Goshorn. Tulsa, Oklahoma: Thomas Gilcrease Institute of American History and Art. 2020. | 120-125 | 2020 | Part of "The Enduring Legacy" section of the catalog. | |
| Zimmer, William. "Light and Heat from American Indian Women". New York Times (National edition), Sunday, September 24, 1995. 1995. | 20 | 1995 | Newspaper article | |
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