| . "Contemporary Visions in San Antonio". Art-Talk, March 1987. 1987. | 27 | 1987 | | |
| . "Metro Bus Show". Center for Exploratory and Perceptual Art, fall/winter 1993. 1993. | 16 | 1993 | Appears in the "Public Transit Art" column of issue. Article about CEPA Gallery's special Metro Bus Show for the World University Games International Cultural Festival, Buffalo, New York, July 8-18, 1993, with photo-related works centered around the concept of "Keepers of the Western Door". Participating artists include Patricia Deadman, Eric Gansworth, George Longfish, Jolene Rickard, Alan Jamieson, Jesse Cooday, Hulleah Tsinhnahjinnie, and Shan Goshorn. | |
| . "Our Contemporary Visions". Native Visions, vol. 3, no. 5 (September/October 1986). 1986. | | 1986 | | |
| . "Primitive and Talented". v. 5, no. 14, March 16, 1984. New York: Artspeak. | | | | |
| . "Special Anniversary Issue". American Indian Art Magazine, vol. 36, no. 1 (winter 2010). 2010. | 60 | 2010 | | |
| . Artifacts for the Seventh Generation: Multitribal-Multimedia Visions. San Francisco: American Indian Contemporary Arts. 1990. | | 1990 | | |
| . Contemporary Native American Art. Stillwater, Okla.: Oklahoma State University. 1983. | | 1983 | Catalog of an exhibition | |
| . Contemporary Native Art, 1994 Calendar. Vancouver: Garfinkel Publications. 1993. | May | 1993 | | |
| . Decolonizing the Mind: End of a 500 Year Era. Seattle, Washington: Center on Contemporary Art. 1992. | 29 | 1992 | Catalog of an exhibition | |
| . New Horizons in American Indian Art: a Varied Exhbition of Contemporary Concepts in Paintings, Sculpture, Drawings and Jewelry from Northern California Indian Artists. Los Angeles, California: Southwest Museum. 1976. | 48 | 1976 | Catalog of an exhibition | |
| . New Work by a New Generation. Regina, Saskatchewan, Canada: Norman MacKenzie Art Gallery. 1982. | 54-57 | 1982 | Catalog of an exhibition. | |
| . Portfolio II: Eleven American Indian Artists. San Francisco: American Indian Contemporary Arts. 1988. | 6-9 | 1988 | | |
| Abbott, Larry (editor). I Stand in the Center of Good: Interviews with Contemporary Native American Artists. Lincoln, Nebraska: University of Nebraska Press. 1994. | 161-182, 303, 307 | 1994 | Includes artists Rick Glazer-Danay, Shan Goshorn, Hachivi Edgar Heap of Birds, Rick Hill, G. Peter Jemison, Michael Kabotie, Frank LaPena, Carm Little Turtle, Linda Lomahaftewa, George Longfish, Mario Martinez, Nora Naranjo-Morse, Jaune Quick-to-See Smith, Susan Stewart, Frank Tuttle, Kay WalkingStick, and Emmi Whitehorse | |
| Ahtone, Heather (editor) and Todd Stewart (photographer). Seeds of Being: a Project of the Andrew W. Mellon Foundation Native American Art & Museum Studies Seminar. Norman, Oklahoma: Fred Jones Jr. Museum of Art. 2018. | 28 | 2018 | Includes color reproduction of detail from George Longfish's 1980 oil and pencil on paper painting "Pooper and Bootie Receiving Their Indian Names" with commentary by Monique Mogilka. | Published in conjunction with the exhibition "Seeds of Being: a Project of the Andrew W. Mellon Foundation Native American Art & Museum Studies Seminar" at the Fred Jones Jr. Museum of Art, Norman, Oklahoma, June 8, 2018-December 30, 2018. Seminar instructors: heather ahtone and W. Jackson Rushing III; commentary on featured artworks by Seminar students enrolled in the University of Oklahoma School of Visual Arts. | |
| Anthes, Bill. "Introduction to Painting, Printmaking, and Drawing". In: Passalacqua, Veronica, Kate Morris (editors), and James H. Nottage (compiler). Native Art Now! Developments in Contemporary Native American Art since 1992. Indianapolis, Indiana: Eiteljorg Museum of American Indians and Western Art. 2017. | 24 | 2017 | Includes bibliographical references and cites Native artists Harry Fonseca, Edgar Heap of Birds, Oscar Howe, Allan Houser, George Morrison, Kay WalkingStick, Jaune Quick-to-See Smith, Emmi Whitehorse, Kent Monkman, Lawrence Paul Yuxweluptun, Jeffrey Gibson, Wendy Red Star, Melanie Yazzie, America Meredith, Pop Chalee, Jim Denomie, Acee Blue Eagle, David Bradley, George Longfish, James Lavadour, Robert Houle, Fritz Scholder, and T.C. Cannon. Host volume includes comprehensive index. | |
| Archuleta, Margaret (author, curator) and Craig Smith (photographer). ~Art in 2 Worlds: the Native American Fine Art Invitational 1983-1997. Phoenix, Arizona: Heard Museum. 1999. | 31 | 1999 | Catalog of an exhibition. Documents the 15 year history of a series of juried, fine art exhibits at the Heard Museum; during the period 1983-1999, the exhibits have appeared under various names, Innovations: New Expressions in Native American Art ([1st]: 1983), Biennial Native American Fine Arts Invitational (2nd-5th: 1985-1992), and Native American Fine Arts Invitational (6th: 1994-1995), and Native Fine Art Invitational (7th: 1997-1998). | |
| Archuleta, Margaret and Rennard Strickland. ~Shared Visions: Native American Painters and Sculptors in the Twentieth Century. Phoenix, Arizona: Heard Museum. 1991. | 56, 94 | 1991 | Catalog of an exhibition; includes essays by Joy L. Gritton and W. Jackson Rushing. | |
| Archuleta, Margaret, with photography by Val Stannard and Peter Mortimer. "Networking from Sacramento to Seattle". Native Peoples, vol. 1 (spring 1988). 1987. | 18-23 | 1987 | | |
| Barnes, Terri. "Images of the Land". US Air Magazine (July 1991). | 30-33 | | | |
| Bates, Sara. ~Indian Humor. San Francisco, Calfornia: American Indian Contemporary Arts. 1995. | 62-63, 109 | 1995 | Catalog of an exhibition | |
| Brach, Paul. Our Land/Ourselves: American Indian Contemporary Artists. Albany: University Art Gallery, State University of New York. 1990. | 50-51 | 1990 | Catalog of an exhibition | |
| Brody, J. J. and Emily Kass (essayists). 8 Native American Artists, November 14, 1987-January 10, 1988, Fort Wayne Museum of Art. Fort Wayne, Indiana: Fort Wayne Museum of Art. 1987. | 11, 17-18, 24, 36-37, 46 | 1987 | Catalog of an exhibition; exhibiting artists include Richard Glazer-Danay, Edgar Heap of Birds, Conrad House, George Longfish, Truman Lowe, Jaune Quick-to-See Smith, Richard Ray (Whitman), and Emmi Whitehorse. | |
| Eiteljorg Museum of American Indian and Western Art. New Art of the West: the First Annual Invitational at the Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana, July 14 through September 30, 1990. Indianapolis, Indiana: Eiteljorg Museum of American Indian and Western Art. 1990. | 43-44 | 1990 | Catalog of a group exhibition featuring the following artists: Alvin Amason, Clyde Aspevig, David Bradley, Richard Bunkall, Patrick Coffaro, Sherman Chaddlesone, Russell Chatham, J.B. Clemens, Anne Coe, Karen Damyanovich, Joellyn Duesberry, Nivia Gonzales, Darren Vigil-Gray, James Gucwa, Woody Gwyn, Susan Hertel, Joan Hill, Michael Kabotie, Frank LaPena, Armond Lara, Ramson Lomatewama, George Longfish, Joe Maktima, Kevin Marshall, Ron McDowell, Tim McDowell, Ed Mell, Carol Mothner, Tom Noble, Tom Palmore, Ernie Pepion, Howard Post, Larry Samuels, Bill Schenck, Bill Shepherd, Earl Staley, Steven Swanson, Theodore Waddell, Gary Washington, Chase Yarbrough, and Liz Yarosz. | |
| Eiteljorg Museum of American Indians and Western Art. Contemporary Masters: The Eiteljorg Fellowship for Native American Fine Art. Indianapolis: Eiteljorg Museum of American Indians and Western Art. 1999. | 6 | 1999 | Catalog of an exhibition | |
| Eiteljorg Museum of American Indians and Western Art and Jennifer Complo McNutt (curator). New art of the West 7. Indianapolis, Indiana: Eiteljorg Museum of American Indians and Western Art. 2000. | 34-35 | 2000 | Catalog of an exhibition held May 6-August 7, 2000 at the Eiteljorg Museum of American Indians and Western Art, Indianapolis, Indiana; and featuring the following Native American artists: Sean Chandler (Gros-Ventre), Bozeman, Montana -- George C. Longfish (Seneca/Tuscarora), Dixon, California -- Susan A. Point (Musqueam Indian Band), Vancouver, British Columbia, Canada -- Emmi Whitehorse (Navajo), Cerillos, New Mexico. | |
| Farris, Phoebe. "Visual Power: 21st Century Native American Artists/Intellectuals". American Studies, vol. 46, no. 3-4 (fall/winter 2005). 2005. | 251, 255, 257-258 | 2005 | Article simultaneously appears in the continuation, Indigenous Studies Today: an International Journal, for issue 1 (fall 2005/spring 2006); and in the monograph Indigeneity at the Crossroads of American Studies as a contribution to an edited work. Includes bibliographical references. | |
| French, Christopher. "Stating a Cross-Cultural Identity". v. 15, no. 26, July 14, 1984. Artweek. | | | | |
| Gordon, Allan M. (catalog essayist). ~Confluences of Tradition and Change: 24 American Indian Artists. Davis, California: Richard L. Nelson Gallery, University of California. 1981. | 21 | 1981 | Catalog of an exhibition organized by the Richard L. Nelson Gallery and C.N. Gorman Museum, University of California, Davis in cooperation with the Museum of the Southwest, Midland, Texas. Exhibiting artists include Carl Beam, David Bradley, Richard Glazer Danay, Harry Fonseca, Ted Garner, Bob Haozous, Edgar Heap of Birds, G. Peter Jemison, Jean LaMarr, Frank LaPena, Sylvia Lark, Linda Lomahaftewa, George Longfish, Michael McCleve, Leatrice Mikkelsen, George A. Morrison, Neil Parsons, Jaune Quick-to-See Smith, Billy Soza War Soldier, Brian Tripp, R. Lee White, Emmi Whitehorse, and Alfred Young Man. | |
| Gouma-Peterson, Thalia, Jaune Quick-to-See Smith (curator), and Kathleen McManus Zurko (editor). ~We, the Human Beings: 27 Contemporary Native American Artists. Wooster, Ohio: College of Wooster Art Museum. 1992. | 28 | 1992 | Catalog of an exhibition; exhibition itinerary: College of Wooster Art Museum, August 26, 1992-October19, 1992; and Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana, April 7, 1993-June 27, 1993. | |
| Harjo, Suzan Shown. ~"Without Reservation: a New Exhibit at the National Museum of the American Indian Allows Visitors to View the Lighter Side of Native Art". Native Peoples, vol. 11, no. 3 (May, June, July 1998). 1998. | 54 | 1998 | Review of the exhibition "Indian Humor" at the George Gustav Heye Center, National Museum of the American Indian, New York, New York, from May 31 through August 2, 1998. | |
| Hartman, Diane A. The Soaring Spirit: Contemporary Native American Arts. Morristown, New Jersey: Morris Museum. 1987. | 2 | 1987 | Catalog of an exhibition | |
| Henkes, Robert. ~Native American Painters of the Twentieth Century: the Works of 61 Artists. Jefferson, North Carolina: McFarland & Company. 1995. | 99-102 | 1995 | | |
| Highwater, Jamake. ~The Sweet Grass Lives on, Fifty Contemporary North American Indian Artists. New York, New York: Lippincott & Crowell Publishers. 1980. | 144-145 | 1980 | | |
| Hood Museum of Art. Native American Art at Dartmouth: Highlights from the Hood Museum of Art. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College. 2011. | 175 | 2011 | Reproduction of "Modern Times" 1994, triptych-color lithograph on Arches 88 paper | Catalog of an exhibition of the same title, "Native American Art at Dartmouth: Highlights from the Hood Museum of Art" held at the Hood Museum of Art, Hanover, New Hampshire, October 8, 2011-March 12, 2012. Includes essays and bibliographical references. Co-published by the University Press of New England, Hanover, New Hampshire. | |
| LaPena, Frank. "Being an Artist". News from Native California, vol. 13, no. 3 (spring 2000). 2000. | 4 | 2000 | Includes portrait photographs of David Ipiña dated 1995 taken by Francisco Dominguez; and Santiago Tafoya working at the Art Foundry, Sacramento, California, January 2000, on sculpture titled "Bear Spirit". Article appears in "The Arts" section of the magazine issue. | |
| LaPena, Frank. "The Multimedia of George Longfish and Brian Tripp". News from Native California, vol. 2, no. 2 (May/June 1988). 1988. | 18-19 | 1988 | | |
| Lester, Patrick D. ~The Biographical Directory of Native American Painters. Tulsa, Oklahoma: SIR Publications. 1995. | 324-325 | 1995 | Includes tribal index and bibliographical references. | |
| Longfish, George. New Directions Northwest: Contemporary Native American Art. Olympia, Wash.: Evergreen State College. 1986. | 14-19 | 1986 | Catalog of an exhibition | |
| Matuz, Roger (editor). ~St. James Guide to Native North American Artists. Detroit, Michigan: St. James Press. 1997. | 329-333 | 1997 | | |
| McMaster, Gerald and Lee-Ann Martin. "Indigena: Perspectives of Indigenous Peoples on Five Hundred Years". American Indian Art Magazine, vol. 17, no. 4 (autumn 1992). American Indian Art Magazine. 1992. | 74 | 1992 | | |
| Miller, Lynette. Tradition and Spirit: Contemporary Native American Art. Goldendale, Washington: Maryhill Museum of Art. 1990. | | 1990 | Catalog of an exhibition | |
| Museum of Contemporary Native Arts. New Native Art Criticism: Manifestations. Santa Fe, New Mexico: Museum of Contemporary Native Arts. 2011. | 130-131 | 2011 | | |
| Penney, David W. and George C. Longfish. Native American Art Masterpieces. New York, New York: Hugh Lauter Levin Associates. 1996. | 106-107 | 1996 | Includes index. Partial contents (artists identified): Picture of Chicken Dance (Ernest Spybuck) -- Traveling Bag (Nellie Gates) -- Indians Fighting White Men (Carl Sweezy) -- Beaded Moccasins with Traditional Floral Motif (Eva McAdams) -- Jar (Margaret Tafoya) -- The Emergence of the Clowns (Roxanne Swentzell) -- Burnt Water Rug (Victoria Keoni) -- Pendant, Bracelet, and Ring (Sonwai) -- Burden Basket (Evelyn Henry) -- Basket Bowl (Kate McKinney) -- Coiled Basket (Carrie Bethel) -- Ishi and Companion at Iamin Mool (Frank Day) -- Hamatsa Crooked Beak Mask (Willie Seaweed) -- Indian Horse (Jaune Quick-to-See Smith) -- The Things Colonial Angels Witness (Gail Tremblay) -- The End of Innocences (George Longfish) -- Veteran (Ric Glazer-Danay) -- Feather Canoe (Truman Lowe) -- Letting Go: From Chaos to Calm (Kay WalkingStick). | |
| Schlesinger, Ellen. "Cultural Diversity: A Kinship With The Land. Sunday, July 1, 1984. The Sacramento Bee. | | | Newspaper article | |
| Slick, Duane. Duane Slick: the Coyote Makes the Sunset Better. Ridgefield, Connecticut: Aldrich Contemporary Art Museum. 2022. | 4 | 2022 | Catalog of an exhibition organized by the Aldrich Contemporary Art Museum, Ridgefield, Connecticut, January 16, 2022-May 8, 2022. | |
| Smith, Jaune Quick-to-See (curator) with writings by Charlotte DeClue, Joy Harjo, Lucy R. Lippard, Duane Niatum, and Elizabeth Woody. The Submuloc Show/Columbus Wohs: a Visual Commentary on the Columbus Quincentennial from the Perspective of America's First People. Phoenix, Arizona: Atlatl. 1992. | 44-45, 76 | 1992 | Catalog of a travelling exhibition organized by Atlatl. | |
| Smith, Katharine. "Outside the Pueblo". Portfolio, vol. 4, no. 4 (July/August 1982). 1982. | 52-57 | 1982 | | |
| Stephenson, Anne. . "Innate Images: Contemporary Indian Art Discards Cliches by Stressing Self-Awareness" . July, 1990. American West Airlines Magazine. | 31-39 | | | |
| Strickland, Rennard. ~"Where Have All the Blue Deer Gone? Depth and Diversity in Post War Indian Painting". American Indian Art Magazine, vol. 10, no. 2 (spring 1985). 1985. | 39 | 1985 | Traces the evolution of Native American easel art with an emphasis upon the so-called modern or new directions in contemporary Indian painting, as seen in three generations of Indian artists who span the era from the end of World War II to the present. | |
| Wade, Edwin L. (editor) and Carol Haralson (coordinating editor). ~The Arts of the North American Indian: Native Traditions in Evolution. New York, New York: Hudson Hills Press. 1986. | 18, 198, 238, 241, 264, 268, 270, 297-298 | 1986 | Published in association with Philbrook Art Center, Tulsa, Oklahoma. Includes bibliographical references (pages 311-317) and index. | |
| Wade, Edwin L. and Rennard Strickland. ~Magic Images: Contemporary Native American Art. Tulsa, Oklahoma: Philbrook Art Center. 1981. | page not available | 1981 | Based on an exhibition held at Philbrook Art Center, Tulsa, Oklahoma, August 2, 1981-September 6, 1981; co-published by the University of Oklahoma Press, Norman, Oklahoma. | |
| WalkingStick, Kay and Ann E. Marshall. So Fine! Masterworks of Fine Art from the Heard Museum. Phoenix, Arizona: Heard Museum. 2001. | 11 | 2001 | Catalog of an exhibition | |
| WalkingStick, Kay. . "Like a Longfish Out of Water: An Interview with Artist George Longfish". v. 6, Fall, 1989. Northeast Indian Quarterly. | 17-23 | | | |
| Woody, Elizabeth. The Spirit of Native America. San Francisco: American Indian Contemporary Arts. 1993. | 22-23, 46 | 1993 | Catalog of an exhibition | |
| Younger, Erin and Jaune Quick-to-See Smith (jurors). The Second Biennial Native American Fine Arts Invitational. Phoenix, Arizona: Heard Museum. 1985. | unpaginated | 1985 | Catalog of an exhibition organized and held at the Heard Museum, Phoenix, Arizona; exhibition preview, opening and sale held on Sunday, October 13, 1985. Participating artists include Marty Avrett, Karita Coffey, Blake Debassige, Edna Davis Jackson, G. Peter Jemison, Jean La Marr, Linda Lomahaftewa, George Longfish, Truman T. Lowe, Gerald R. McMaster, Neil Parsons, R. James Schoppert, and Kay WalkingStick. | |
| Younger, Erin and Robert Breunig. "The Second Biennial Native American Fine Arts Invitational". American Indian Art Magazine, vol. 11, no. 2 (spring 1986). 1986. | 61 | 1986 | | |
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