| . "A Bead on Beadwork". 1998. Indian Market Magazine. | 87-93 | | | |
| . "American Indian Art Now". September 4, 1998. The Wall Street Journal. | | | Newspaper article | |
| . "Art Imitates Art" . April, 1985. Playboy. | 18 | | | |
| . "Artist Creates Masterpieces with Beads and Feathers". December 26, 1984. New Mexico Today. | front | | Newspaper article | |
| . "Beauty and Beads". July, 1997. Cowboys and Indians Magazine. | 21 | | | |
| . "Collection: Portland Art Museum". American Craft, February/March, 2001. | 24-25 | | | |
| . "Contemporary Indian Artists Introduced at Biennial". Phoenix Magazine, November 1989. 1989. | | 1989 | | |
| . "Fall Indian Market, October 22-30". September, 1994. Indian Craft Shop. | 3 | | Newspaper article | |
| . "From the Wry Side of American Indians". 1998. The New York Times. | | | Newspaper article | |
| . "Guide to Market, Heard Museum Guild Indian Fair & Market". Native American Art, issue 19 (February/March 2019). 2019. | 135 | 2019 | Sections includes the following: Jewelry & Lapidary; Pottery; Paintings, Drawings, Photography & Graphics; Pueblo Carvings; Scupture; Weavings & Textiles; Diverse Arts including Beadwork & Quillwork; Baskets; Personal Attire; and Youth. | |
| . "Indian Art You Won't See in the Casinos". Section 2, September 19, 1999. The New York Times. | | | Newspaper article | |
| . "Indian Market People". 1996. Indian Market Magazine. | 88 | | | |
| . "Marcus Amerman". January, 2001. Southwest Art. | 40 | | | |
| . "Preston Singletary and Marcus Amerman: Voices in Glass". v. 36, August, 2010. Western Art Collector. | 172-173 | | | |
| . "'Smokes and Mirrors' in Santa Fe, March 16 through April 23". Indian Trader, vol. 38, no. 3 (March 2007). 2007. | 10 | 2007 | Newspaper article. | |
| . "TeePee Trends". January, 1990. Elle Magazine. | | | | |
| . "Up and Coming Indian Market Artists: Indian Summer, from Indian Market through Late Summer". Santa Fe Reporter, summer 1998. 1998. | 8 | 1998 | | |
| . Head+Heart+Hands. Louisville, Ky.: Kentucky Art and Craft Foundation. | 14, 22 | | Catalog of an exhibition | |
| . Native Art to Wear. Phoenix, Arizona: Heard Museum. 1989. | unpaginated | 1989 | Catalog of an exhibition | |
| . Paintings by Marcus Amerman. Anadarko, Okla.: Southern Plains Indian Museum and Crafts Center. 1989. | unpaginated | 1989 | Catalog of an exhibition | |
| . The 4th Biennial Native American Fine Arts Invitational. Phoenix: The Heard Museum. 1989. | unpaginated | 1989 | Catalog of an exhibition | |
| Amerman, Marcus. "Chief of Hearts". El Palacio, vol. 123, no. 3 (fall 2018). 2018. | 94-95 | 2018 | Appears in the "Why This?" column of the periodical issue. | |
| Amerman, Marcus. Marcus Amerman. URL: http://www.marcusamerman.com/. 2016. | | 2016 | Marcus Amerman's website (viewed July 14, 2016) | View |
| Archuleta, Margaret. "The Fourth Biennial Native American Fine Arts Invitational at the Heard Museum. v. 15, Winter, 1989. American Indian Art Magazine. | 58 | | | |
| Bates, Sara. Indian Humor. San Francisco: American Indian Contemporary Arts. 1995. | 20-21, 96 | 1995 | | |
| Baxter, Paula A. and Allison Bird-Romero. Encyclopedia of Native American Jewelry: a Guide to History, People and Terms. Phoenix, Arizona: Oryx Press. 2000. | 9 | 2000 | Includes bibliographical references, subject and artist indexes. | |
| Bernstein, Bruce. "Connoisseur's Guide to Indian Market". Santa Fean, vol. 23, no. 7 (August 1995). 1995. | 76 | 1995 | | |
| Callister, Lori and Kerry Crow. "Master Beadworker: Marcus Amerman". Summer, 1998. Northwest Indian. | 8-9 | | | |
| Clinkingbeard, Brion. Head, Heart and Hands: Native American Craft Traditions in a Contemporary World. Kentucky Art and Craft Gallery. 1998. | | 1998 | Catalog of an exhibition | |
| Coe, Ralph T. Lost and Found Traditions. Seattle: University of Washington Press. 1986. | 51 | 1986 | | |
| Crow, Joseph Medicine. . "Guest Essay" . v. 6, no. 2, Winter, 1993. Native Peoples. | 5 | | | |
| Diaz, Rose Mary. "5 Market Artists". Native Peoples, vol. 15, no. 5 (July-August 2002). 2002. | 44 | 2002 | | |
| Diaz, RoseMary. "Choctaw Beadwork Artist Marcus Amerman". First American Art Magazine, issue no. 15 (summer 2017). 2017. | 46-51 | 2017 | | |
| Diaz, Rosemary. "Making Room for Change". August 17, 1989. Santa Fe: The New Mexican. | | | Newspaper article | |
| Diaz, Rosemary. "Marcus Amerman". March/April, 2000. BEADWORK. | 20-23 | | | |
| Fiorucci, Nina. Carlisle Indian Boarding School Portraits: from the Nineteenth Century to Contemporary Art. Ann Arbor, Michigan: ProQuest. 2019. | 37-39 | 2019 | Nina Fiorucci's Master of Arts thesis (major: art history), Wayne State University, Detroit, Michigan, 2019. Print reproduction by ProQuest LLC, Ann Arbor, Michigan, October 2019. Includes bibliographical references; Native artists noted are Marcus Amerman and Shan Goshorn. | |
| Fricke, Suzanne Newman, Chelsea Herr, and Manuela Well-Off-Man (curators). Indigenous Futurisms: Transcending Past/Present/Future. Santa Fe, New Mexico: IAIA Museum of Contemporary Native Arts. 2020. | 64-65, 143, 156-157 | 2020 | Catalog of an exhibition held at the Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, New Mexico, February 13, 2020-January 3, 2021. Includes biblographical references and index. | |
| Harjo, Susan Shown. "Native Artists on 9/11: Responses, Reflections, Premonitions". Native Peoples, vol. 15, no. 6 (September/October 2002). 2002. | 50 | 2002 | | |
| Harjo, Suzan Shown. "A Generation of Innovation". Santa Fean Indian Market Magazine, August 2007. 2007. | 112-117, 210-215 | 2007 | | |
| Harjo, Suzan Shown. "Santa Fe Indian Market: 76 Years and Growing". Native Peoples Magazine, vol. 11 (February/March/April 1998). 1998. | 37 | 1998 | | |
| Harjo, Suzan Shown (curator) and Liz Flyntz (assistant). American Icons through Indigenous Eyes: a Curatorial Project. Washington, D.C.: District of Columbia Arts Center. 2007. | catalog not paginated | 2007 | Catalog of an exhibition held at the District of Columbia Arts Center, Washington, D.C., April 13, 2007-May 6, 2007. Exhibiting artists include Marcus Amerman, David Bradley, Bunky Echo-Hawk, Shan Goshorn, Bob Haozous, Jean LaMarr, Judith Lowry, America Meredith, Juanita Pahdopony, Diego Romero, Mateo Romero, and Richard Ray Whitman. | |
| Harjo, Suzan Shown. "Savage Truths: Realities of Indian Life". v. 12, November-December, 1998, January, 1999. Native Peoples Magazine. | 18-22 | | | |
| Harjo, Suzan Shown. . "Without Reservation". v. 11, May-July, 1998. Native Peoples. | 53-55 | | | |
| Indyke, Dottie. "10 Native Art Enclaves". Santa Fean, vol. 29, no. 7 (August 2001). 2001. | 74-75, 80, 88, 154 | 2001 | | |
| Kastner, Carolyn (editor). Fusing Traditions: Transformations in Glass by Native American Artists. San Francisco, California: Museum of Craft and Folk Art. 2002. | 13, 32-33, 69 | 2002 | Catalog of an exhibition, with essays by Roslyn Tunis, Preston Singletary, Kate Morris and Lloyd E. Herman. | |
| Kastner, Carolyn and Roslyn Tunis. "Fusing Traditions: Transformations in Glass by Native American Artists". American Indian Art Magazine, vol. 28, no. 2 (spring 2003). 2003. | 57-63 | 2003 | | |
| Kastner, Carolyn and Roslyn Tunis. "Transformations in Glass". Heard Museum Journal, vol. 5, no. 1 (January-April 2003). 2003. | 12-15, 69 | 2003 | | |
| Lester, Patrick D. ~The Biographical Directory of Native American Painters. Tulsa, Oklahoma: SIR Publications. 1995. | 13-14 | 1995 | Includes tribal index and bibliographical references. | |
| Matuz, Roger (editor). ~St. James Guide to Native North American Artists. Detroit, Michigan: St. James Press. 1997. | 13-15 | 1997 | | |
| Melkonian, Neery. . "Bare Truths: IAIA Shows Indian Nudes". June 5-11, 1991. Santa Fe Reporter. | 23 | | | |
| Mercer, Bill. "Native American Art at the Portland Art Museum". American Indian Art Magazine, vol. 26, no. 2 (spring 2001). 2001. | 74-75, 80, 88 | 2001 | | |
| Moss, Kathlyn and Alice Scherer. The New Beadwork Book. New York: Harry N. Abrams, Inc. 1992. | 18 | 1992 | | |
| Nixon, Bruce. "The Artist's Vocation, Native America at American Indian Contemporary Arts and Frank Tuttle at Meridian Gallery". June 17, 1993. Artweek. | 12 | | Newspaper article | |
| Pierce, Ellise. "Beadman: With His Special Beading Powers, Marcus Amerman Is Something of a Cultural Superhero". Cowboys & Indians, vol. 24, no. 6 (August/September 2016). 2016. | 118-120 | 2016 | | |
| Ralph T. Coe Center for the Arts. The Mirror Effect: Reflections upon Our Realities. Santa Fe, New Mexico: Ralph T. Coe Foundation. 2017. | 12 | 2017 | Published on the occasion of the exhibition "The Mirror Effect: Reflections Upon our Realities", organized by the 2017 Hands-On Curatorial Program Curators, Ralph T. Coe Foundation for the Arts, Santa Fe, New Mexico, 2017. Artists whose works are exhibited include Steve Smith, Kenny McNeil, Isaac Kulowiyi, Bruce Caesar, Tu Moonwalker, George Blake, Teri Greeves, Marcus Amerman, Maggie Picket-Yellowtail, and Bob Cutler among others. | |
| Rangel, John Paul. Indigenous Perspectives on Contemporary Native Art, Indigenous Aesthetics and Representation. Ann Arbor, Michigan: ProQuest. 2012. | 126-139 | 2012 | Dissertation, Doctor of Philosophy, Language, Literacy and Sociocultural Studies, University of New Mexico, Albuquerque, New Mexico, December 2012. Research focuses on the narratives and perspectives of following eight artists: Charlene Teters, Michael Nicoll Yahgulanaas, Teri Greeves, Marcus Amerman, Sarah Sense, Frank Buffalo Hyde, Dyani Reynolds-White Hawk, and Chris Pappan. Includes bibliographical references. Also available on the World Wide Web. | View |
| Rossi, Alison. "Savages and Princesses: the Persistence of Native American Stereotypes". Art Focus Oklahoma, vol. 31, no. 4 (July/August 2016). 2016. | 9 | 2016 | Review of the group exhibition "Savages and Princesses" curated by America Meredith at the 108 | Contemporary, Tulsa, Oklahoma, with featured artists Marcus Amerman, Matthew Bearden, Heidi BigKnife, Mel Cornshucker, Tom Farris, Anita Fields, Kenny Glass, Shan Goshorn, April Holder, Benjamin Harjo, Jr., Juanita Pahdopony, Kira Hayen Poole, Zachary Presley, Karin Walkingstick, Hoka Skenandore, and Micah Wesley. | |
| Silverman, Jason. "A True Homecoming". Santa Fean, vol. 28, no. 7 (August 2000). 2000. | 76 | 2000 | | |
| Singletary, Preston, Marcus Amerman, and Blue Rain Gallery. Voices from Temple Mound: a Collaboration with Preston Singletary and Marcus Amerman. Santa Fe, New Mexico: Blue Rain Gallery. 2010. | | 2010 | Catalog of an exhibition held at the Blue Rain Gallery, Santa Fe, New Mexico, July 7-17, 2010. | |
| Smith, Matthew Ryan. "This Other Me: Uses of the Alter Ego in Contemporary Art". First American Art Magazine, issue no. 16 (fall 2017). 2017. | 22-26 | 2017 | Discusses artists James Luna, Lori Blondeau, Adrian Stimson, and Marcus Amerman. | |
| Sweet, Jill D. with Ian Berry. Staging the Indian: the Politics of Representation. Saratoga Springs, New York: Tang Teaching Museum and Art Gallery, Skidmore College. 2001. | 46-61 | 2001 | Catalog of an exhibition held February 2, 2002-June 2, 2002, Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York. Features Native artists Marcus Amerman, Judith Lowry, James Luna, Shelley Niro, Nora Naranjo Morse, and Bently Spang. | |
| Vezolles, Christy A. "Contemporary Pictorals". Western Art Collector, no. 44 (April 2011). 2011. | 40-45 | 2011 | | |
| Wikipedia contributors. "Marcus Amerman". In: Wikipedia, the Free Encyclopedia (https://en.wikipedia.org/) at source URL: https://en.wikipedia.org/wiki/Marcus_Amerman. 2009. | | 2009 | Current entry for Marcus Amerman in Wikipedia (viewed October 15, 2018) | View |
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