| . "3rd Native American Biennial". October, 1987. Art-Talk. | unknown | | | |
| . "Artistic Journey of Lillian Pitt". Spilyay Tymoo, vol. 41, no. 13 (June 22, 2016). 6/22/2016. | 1, 8 | 6/22/2016 | | |
| . "Contemporary Visions in San Antonio". Art-Talk, March 1987. 1987. | 27 | 1987 | | |
| . "Pitt, Woody to Give Plateau Perspective". April 27, 2001. Yakima Nation Review. | 6 | | Newspaper article | |
| . "Portfolio: Sculptor Lillian Pitt". May-June, 2001. Oregon Home. | 18 | | | |
| . "The Salmon Offering". Wednesday, October 10, 2001. Seattle, Wash.: Ballard News-Tribune. | front page | | Newspaper article | |
| . 3rd Biennial Native American Fine Arts Invitational. Phoenix, Arizona: Heard Museum. 1987. | unpaginated | 1987 | Catalog of an exhibition | |
| . BPA's Native American Art Collection. Portland, Or.: Bonneville Power Administration. 2004. | 9 | 2004 | | |
| . Contemporary Native American Art: Reflections after Lewis and Clark. Missoula, Mont.: University of Montana Press. 2005. | 5, 62-69 | 2005 | | |
| . Native Americans 1998. S.N.: Heidelberg. 1997. | January | 1997 | | |
| . Native Perspectives on the Trail: A Contemporary American Indian Art Portfolio. Missoula, Mont.: Missoula Art Museum. 2005. | 34-35 | 2005 | Catalog of an exhibition | |
| . New Native Art Criticism: Manifestations. Santa Fe, N.M.: Museum of Contemporary Native Arts. 2011. | 150-151 | 2011 | | |
| . Toi te Ao. Wellington, New Zealand: Toi Te Ao Art Committee. 1993. | unpaginated | 1993 | Catalog of an exhibition | |
| Archuleta, Margaret (author, curator) and Craig Smith (photographer). ~Art in 2 Worlds: the Native American Fine Art Invitational 1983-1997. Phoenix, Arizona: Heard Museum. 1999. | 35 | 1999 | Catalog of an exhibition. Documents the 15 year history of a series of juried, fine art exhibits at the Heard Museum; during the period 1983-1999, the exhibits have appeared under various names, Innovations: New Expressions in Native American Art ([1st]: 1983), Biennial Native American Fine Arts Invitational (2nd-5th: 1985-1992), and Native American Fine Arts Invitational (6th: 1994-1995), and Native Fine Art Invitational (7th: 1997-1998). | |
| Archuleta, Margaret, with photography by Val Stannard and Peter Mortimer. "Networking from Sacramento to Seattle". Native Peoples, vol. 1 (spring 1988). 1987. | 20-23 | 1987 | | |
| Banks, Kenneth. "Visage Transcended: Contemporary Native American Masks". Native Vision, vol. 2, no. 5 (November/December 1985). 1985. | 10 | 1985 | | |
| Bates, Sara. Indian Humor. San Francisco: American Indian Contemporary Arts. 1995. | 78-79, 114 | 1995 | Catalog of an exhibition | |
| Beaudin, Victoria. "Show Unveils Variety of Native American Art". December 11, 1987. Scottsdale Progress Weekend. | 18 | | Newspaper article | |
| Bolen, Anne. "Ancestral Connections: a Constellation of Contemporary Artists Show Their Ties to Their Native Cultures". National Museum of the American Indian, vol. 20, no. 4 (winter 2019). 2019. | 32, 37 | 2019 | Features artists Marvin Oliver, Isabel Rorick and Robin Rorick, Rose B. Simpson, Gedion Fernandez, Lillian Pitt, Jeri Redcorn, and Michael Massie. | |
| Brown, Franz. "For the Birds". August, 1991. Southwest Art. | 56 | | | |
| Bryant, Ted. "Behind the Masks". June, 1992. Horizon Air Magazine. | 40 | | | |
| Caro, Mario A., Tina Kuckkahn, and Esmé Ryan (editors). Cultural Luminaries: Illuminating the Past, Lighting the Way into the Future: the Artist-in-Residence Program at the "House of Welcome", Longhouse Education and Cultural Center. Olympia, Washington: Evergreen State College. 2006. | 29-31 | 2006 | Lead artist with Jim Jackson in the artist-in-residence program "Clay Works", July 26, 2004-August 1, 2004, at the "House of Welcome", Longhouse Education and Cultural Center, Evergreen State College, Olympia, Washington. | Includes numerous artists biographies and statements collected by Linley B. Logan. | |
| Dobkins, Rebecca J. "Honoring the Past, Embracing the Future: Native American Art at the Hallie Ford Museum of Art, Willamette University". American Indian Art Magazine, vol. 25, no. 2 (spring 2000). 2000. | 53 | 2000 | Provides an overview of the Hallie Ford Museum, Williamette University, Salem, Oregon, and its collection of more than three hundred Native artifacts, which were produced by people of the Siletz, Wasco, Yakima and Paiute tribes. Includes bibliographical references. | |
| Epstein, Pancho. "Alaskan Art Reveals the Secrets Within". Pasatiempo (Santa Fe, New Mexico), August 17-23, 1990. 1990. | 10-11 | 1990 | Newspaper article | |
| Farris, Phoebe (editor). Women Artists of Color: a Bio-Critical Sourcebook to 20th Century Artists in the Americas. Westport, Connecticut: Greenwood Press. 1999. | 59-62 | 1999 | Includes Native American women artists Nadema Agard, Sara Bates, Pop Chalee (Merina Lujan), Phoebe Farris, Helen Hardin, Jean LaMarr, Carm Little Turtle, Linda Lomahaftewa, Maria Martínez, Malinda M. Maynor, Mabel McKay, Nora Naranjo-Morse, Shelley Niro, Tonita Peña, Lillian Pitt, Jane Ash Poitras, Rose Powhatan, Jaune Quick-to-See Smith, Jolene Rickard, Spiderwoman Theater Company (Lisa Mayo, Gloria Miguel, and Muriel Miguel), Roxanne Swentzell, Gail Tremblay, Hulleah Tsinhnahjinnie, Pablita Velarde, Kay WalkingStick, Denise Wallace, and Emmi Whitehorse. | |
| Feddersen, Joe and Gail Tremblay (curators). ~Decolonizing the Mind: End of a 500 Year Era. Seattle, Washington: Center on Contemporary Art. 1992. | 3, 7, 9-10 | 1992 | Catalog of an exhibition held at the Center on Contemporary Art, Seattle, Washington, September 3-October 10, 1992, and curated by Joe Feddersen and Gail Tremblay. Exhibiting artists include Lawrence Ullaaq Ahvakana, Marty Avrett, Rick Bartow, Susie Bevins "Qimmiqsak", Bob Boyer, Ron Carraher, Elvira and Hortensia Colorado, Jesse Cooday, Richard Glazer Danay, Harry Fonseca, Ric Gendron, Ronald A. Hilbert, Tanis Maria Hinsley, Conrad House, James Lavadour, George Longfish, Truman Lowe, Leatrice Mikkelsen, Kay Miller, Phil Minthorn, Theodore Moran, Ramon Murillo, Ed Archie Noisecat, Caroline Orr, Ernest Pepion, Lillian Pitt, Jolene Rickard, Tom Rudd, Beverly R. Singer, Jaune Quick-to-See Smith, Kathyrn Stewart, Theodore B. Villa, Kay WalkingStick, and Phil Young. | |
| Gragg, Randy. "The Many Faces of Healing". July 21, 1999. The Oregonian. | unknown | | Newspaper article | |
| Green, Rayna. Women in American Indian Society. New York, New York: Chelsea House Publishers. 1992. | 61 | 1992 | Includes bibliographical references and index. | |
| Hackett, Regina. "Sculpture '95 Exhibit Highlights the Singularity of Sacred Circle". Friday, July 21, 1995. Seattle Post-Intelligencer. | unknown | | Newspaper article | |
| Harjo, Suzan Shown. "Without Reservation". v. 11, May/June/July, 1998. Native Peoples. | 55 | | | |
| Harlan, Theresa (exhibition guest curator) and Anne Gully (editor). Watchful Eyes: Native American Women Artists. Phoenix, Arizona: Heard Museum. 1994. | 30, 39 | 1994 | Catalog of an exhibition. Includes artists' statements, artists' biographies, and bibliographical references. | |
| Heard Museum and Craig Smith (photographer). Heard Museum 2008 Calendar. Phoenix, Arizona: Heard Museum. 2007. | unpaginated, appears opposite the week of May 5-11, 2008 | 2007 | Reproduces Lillian Pitt's 1987 mixed-media mask "Chinook Stick Indian" | Weekly art calendar based on the holdings of the Heard Museum object collection. | |
| Hicks, Bob. "Voices of Water Exhibit is an Exercise in Fluidity". Friday, August 3, 2001. The Oregonian. | 51 | | Newspaper article | |
| Johnson, Jean. "Hidden Treasure". National Museum of the American Indian, spring 2007. 2007. | unknown | 2007 | | |
| Johnson, Jean. "Prominent Northwest Artist Reminisces on Late-in-Life Learning Curve. December 21, 2004. Indian Country Today. | unknown | | Newspaper article | |
| Kahn, Bonnie B. Keeping the Spirit Alive: American Indian Art from the Dr. and Mrs. Robert Pamplin, Jr. Collection. Portland, Or.: Oregon Historical Society Press. 2001. | 62-63 | 2001 | | |
| Lesley, Craig and Katheryn Stavarkis (editors). Talking Leaves: Contemporary Native American Short Stories. New York, New York: Laurel. 1991. | cover | 1991 | Mask by Lillian Pitt reproduced on cover. | Includes biographical notes. | |
| Longfish, George. New Directions Northwest: Contemporary Native American Art. Olympia, Wash.: Evergreen State College. 1986. | 10, 12-13, 18, 42-43, 51 | 1986 | Catalog of an exhibition | |
| Mason, Marilynne S. "Indian Arts for a Contemporary World". Christian Science Monitor, February 7, 1994. 1994. | 20-21 | 1994 | Newspaper article. | |
| Matuz, Roger (editor). ~St. James Guide to Native North American Artists. Detroit, Michigan: St. James Press. 1997. | 452-455 | 1997 | | |
| Mayo, Marcia (senior editor), Sarah Tanguy (curator), and others. United States Embassy Kuala Lumpur: Art in Embassies Exhibition.. Washington, D.C.: Art in Embassies, United States Department of State. 2014. | 8-9 | 2014 | Calalog published in conjunction with an exhibition featuring artists Rick Bartow, Alene J. Davis, Lillian L. Pitt, Aaron Reed, Carol Sims, and Roger V. Thomas. | |
| Mercer, Bill. "Native American Art at the Portland Art Museum". American Indian Art Magazine, vol. 26, no. 2 (spring 2001). 2001. | 80 | 2001 | | |
| Miller, Lynette. Tradition and Spirit: Contemporary Native American Art. Maryhill Museum of Art. 1990. | unpaginated | 1990 | Catalog of an exhibition | |
| Montana, Cate. "Warm Springs Native Opens Art Gallery in Portland". Wednesday, December 20, 2000. Indian Country Today. | C1-C2 | | Newspaper article | |
| Osborne, Thomas. The Museum at Warm Springs 19th Annual Tribal Member Art Exhibition. Warm Springs, Or.: Museum at Warm Springs. 2012. | unpaginated | 2012 | Catalog of an exhibition | |
| O'Shea, Kristin. "Lillian Pitt: Artist, Businesswoman, Teacher". Spring, 2000. The Woman's Journal. | 26 | | | |
| Pitt, Lillian. "To the People of Warm Springs, and the Staff at the Museum at Warm Springs". Spilyay Tymoo, vol. 41, no. 15 (July 20, 2016). 7/20/2016. | 8 | 7/20/2016 | Letter of thanks for the support of artist's exhibition "Kindred Spirits: the Artistic Journey of Lillian Pitt" | |
| Pitt, Lillian. Lillian Pitt, Pacific Northwest Native American Artist - the Artist, Giving Voice to My Ancestors. URL: http://www.lillianpitt.com/. 2016. | | 2016 | Artist's website (viewed July 30, 2016) | View |
| Pitt, Lillian. Spirits Keep Whistling Me Home: The Works of Lillian Pitt. Warm Springs, Or.: The Museum at Warm Springs. 1999. | | 1999 | Catalog of an exhibition | |
| Ponnekanti, Rosemary. "Exhibit Fuses Tadition, Future". Tuesday, May 29, 2007. Tacoma, Wash.: The News Tribune. | unknown | | Newspaper article | |
| Ressler, Susan R. (editor). Women Artists of the American West. Jefferson, North Carolina: McFarland & Company. 2003. | 137, 144-146, 330-331 | 2003 | Includes list of contributors with biographical sketches, bibliographical references, and index. | |
| Ripp, Bart. "Major Collection Pays Tribute to Art, Artifacts of America's Native Cultures". Friday, March 2, 2001. Portland, Or.: The News Tribune. | TG-3, TG-6 | | Newspaper article | |
| Row, D. K. "Spiritual Fusions". Friday, May 26, 2000. The Oregonian, Arts and Entertainment. | 58 | | Newspaper article | |
| Rubinstein, Charlotte Streifer. American Women Sculptors: a History of Women Working in Three Dimensions. Boston, Massachusetts: G.K. Hall and Co.. 1990. | 561 | 1990 | Includes bibliographical references (pages 575-603) and index. | |
| Schiffer, Nancy. Masters of Contemporary Indian Jewelry. Atglen, Pennsylvania: Schiffer Publishing. 2009. | 179-180 | 2009 | | |
| Smith, Jaune Quick-To-See, ed. Women of Sweetgrass, Cedar and Sage. New York: Gallery of the American Indian Community House. 1985. | unpaginated | 1985 | Catalog of an exhibition | |
| Stephenson, Anne. "Innate Images". America West Airlines Magazine, vol. 5, no. 5 (July 1990). | 37 | | | |
| Stephenson, Anne. "Place in the Sun: a Phoenix Exhibit Helps Keep 11 Native American Artists from the Shadow of Obscurity". America West Airlines Magazine, October 1987. 1987. | 31-34 | 1987 | | |
| Tremblay, Gail E. "Indigenous Identities: Diverse Visions". In: Ressler, Susan R. (editor). Women Artists of the American West. Jefferson, North Carolina: McFarland & Company. 2003. | 136-150 | 2003 | Discusses 6 indigenous artists including Jaune Quick-to-See Smith, Nora Naranjo-Morse, Hulleah Tsinhnahjinnie, Lillian Pitt, C. Maxx Stevens, and Judith Lowry. Host volume includes index. | |
| Two Shoes, Minnie. "Artists Behind the Masks". July/August, 2007. Native Peoples. | 28-29 | | | |
| WalkingStick, Kay and Ann E. Marshall. So Fine! Masterworks of Fine Art from the Heard Museum. Phoenix, Arizona: Heard Museum. 2001. | 50 | 2001 | Catalog of an exhibition | |
| Wananga of Indigenous Art. Wananga of Indigenous Art, Rotura, Aotearoa New Zealand. Wellington, New Zealand: Toi Maori-Maori Arts. 1995. | unpaginated | 1995 | Catalog of an exhibit | |
| Wasserman, Abby. "Lillian Pitt". v. 3, no. 5, September/October, 1986. Native Vision. | 3 | | | |
| Wasserman, Abby. Portfolio: Eleven American Indian Artists. American Indian Contemporary Arts. San Francisco, CA. 1986. | unpaginated | 1986 | | |
| Wikipedia contributors. "Lillian Pitt". In: Wikipedia, the Free Encyclopedia (host URL: https://en.wikipedia.org/) at source URL: https://en.wikipedia.org/wiki/Lillian_Pitt. 2014 . | | 2014 | Current entry on Lillian Pitt in Wikipedia (viewed December 10, 2019); webpage created April 11, 2014, revised and updated irregularly. | View |
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